May 22, 2012



Design graphique de Ludovic Balland (livre offert à la bibliothèque ecal).Graphic design by Ludovic Balland (book offered to the library). 
Typology, volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Hong Kong, Rome, New York and Buenos Aires that have been analysed by the Design Studio Emanuel Christ and Christoph Gantenbein at the ETH Zurich. This selective and subjective inventory of metropolitan and essentially anonymous 20th century building production provides a basis for urban project creation. In this new book, 160 buildings are documented with floor plans, axonometrics, recent photographs and key information.

Design graphique de Ludovic Balland (livre offert à la bibliothèque ecal).
Graphic design by Ludovic Balland (book offered to the library). 

Typology, volume 2 of the new series Christ & Gantenbein Review, presents more than 150 buildings located in Hong Kong, Rome, New York and Buenos Aires that have been analysed by the Design Studio Emanuel Christ and Christoph Gantenbein at the ETH Zurich. This selective and subjective inventory of metropolitan and essentially anonymous 20th century building production provides a basis for urban project creation. In this new book, 160 buildings are documented with floor plans, axonometrics, recent photographs and key information.

May 15, 2012
Ce livre propose une plongée dans les travaux réalisés par Flavia Cocchi pour de nombreux clients, institutionnels et privés. La sélection, voulue par la graphiste, couvre de manière non chronologique quelques dix années d’engagement graphique, passionné et rigoureux. Couleurs, typographies, objets, vues d’atelier et ambiance de travail orchestrent la succession d’images dévoilant de manière rythmée un cortège d’affiches, de flyers, de cartons d’invitation, de papier à entête, de livres, de catalogues d’exposition ou d’Ex-Libris.
After attending Geneva’s School of Applied Arts in the mid-eighties and working in Werner Jeker’s studio in Lausanne, the graphic designer Flavia Cocchi opened her own studio in 1997, upon completion of a stint with Massimo Vignelli at Benetton in Italy.

Ce livre propose une plongée dans les travaux réalisés par Flavia Cocchi pour de nombreux clients, institutionnels et privés. La sélection, voulue par la graphiste, couvre de manière non chronologique quelques dix années d’engagement graphique, passionné et rigoureux. Couleurs, typographies, objets, vues d’atelier et ambiance de travail orchestrent la succession d’images dévoilant de manière rythmée un cortège d’affiches, de flyers, de cartons d’invitation, de papier à entête, de livres, de catalogues d’exposition ou d’Ex-Libris.

After attending Geneva’s School of Applied Arts in the mid-eighties and working in Werner Jeker’s studio in Lausanne, the graphic designer Flavia Cocchi opened her own studio in 1997, upon completion of a stint with Massimo Vignelli at Benetton in Italy.


May 11, 2012

BAGHDAD CALLING, photographs and interviews by Geert van Kesteren.

Photojournalist Geert Van Kesteren shows the disorienting reality of war-torn Iraq as he chronicles the lives of ordinary Iraqi people living in Baghdad, Jordan, Syria, and Turkey during 2006 and 2007. This engrossing book combines Van Kesteren’s professionally photographed images with the stories of Iraqis in their own words and hundreds of cell phone pictures and digital snap shots taken by the Iraqis themselves. Some reveal places that journalists dare not tread, others are a vivid chronicle of day-to-day life, as likely to show a beloved pet or two best girlfriends as the aftermath of a bombing attack.        

May 8, 2012
Catalogue de Luc Aubort, lauréat du Prix du Jury d’Accrochage [Vaud 2011].Catalogue of Swiss Artist Luc Aubort, winner of Prix du Jury of Accrochage [Vaud 2011]. 

Catalogue de Luc Aubort, lauréat du Prix du Jury d’Accrochage [Vaud 2011].
Catalogue of Swiss Artist Luc Aubort, winner of Prix du Jury of Accrochage [Vaud 2011]

May 7, 2012

Il était une fois la Révolution culturelle en Chine…
Once upon a time there was the Cultural Revolution in China…

Photos : ECAL

May 3, 2012
Premier poster du Rumpus Room (merci Boris !).First poster for Rumpus Room (thanks Boris!).
Fanzine about the underground  club scene and culture in Geneva. Published biannually, this poster is designed by Nathaniel Monjaret.

Premier poster du Rumpus Room (merci Boris !).
First poster for Rumpus Room (thanks Boris!).

Fanzine about the underground  club scene and culture in Geneva. Published biannually, this poster is designed by Nathaniel Monjaret.

May 3, 2012

Livres offerts par Nicolas Faure (avril 2012).
Books offered by Nicolas Faure (Aprin 2012).

Photos : ECAL

May 1, 2012

momalibrary:

Snaps of some of our library materials making a star turn in the current MoMA show The Shaping of New Visions: Photography, Film and PhotobooksIt couldn’t have happened to a nicer group of books!  -ds

8:46am  |   URL: http://tmblr.co/ZUJAzxKg7A77
  
Filed under: MoMA Photography Books 
April 30, 2012

Travail d’une étudiante ECAL en arts visuels (2001), Vanessa Deriaz qui a repris l’ouvrage de Jean-Yves Jouannais “Artistes sans oeuvres” dont elle n’a laissé que la ponctuation et supprimé le texte.

While studying at ECAL in visual arts (2001), Vanessa Deriaz deleted the text of Jean-Yves Jouannais’s book ‘Artists without works’ and left only the punctuation.

Photos : ECAL

3:23pm  |   URL: http://tmblr.co/ZUJAzxKcVW-R
  
Filed under: Books students' works ECAL Art 
April 26, 2012

Redheaded Peckerwood is a work with a tragic underlying narrative – the story of 19 year old Charles Starkweather and 14 year old Caril Ann Fugate who murdered ten people, including Fugate’s family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way.

From a technical perspective, the photographs incorporate and reference the techniques of photojournalism, forensic photography, image appropriation, reenactment and documentary landscape photography. On a conceptual level, they deal with a charged landscape and play with a photographic representation and truth as the work deconstructs a pre-existing narrative.

Redheaded Peckerwood also utilizes and plays with a pre-existing archive of material, deliberately mixing fact and fiction, past and present, myth and reality as it presents, expands and re-presents the various facts and theories surrounding this story.

Photos : ECAL

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